All people ordering before July 19th will receive a free 11″x17″ portfolio of the final 19 drawings. So that’s a great reason to purchase your drawing, print, book, zine or cards now. After the pre-sale that portfolio will be 15$ plus shipping, while quantities last.
I mean, you can wait until whenever to try to order some of the print pieces, some will be available, but some will not. If there are no orders of the object of your desire during the pre-sale then I won’t produce it (unless you want one of the original drawings, in which case when it’s SOLD, well it’s gone, right?). If more people order the item then I will produce it, plus a few more than ordered, and you can likely still get it (while quantities last) after the pre-sale.
That said, it could happen that I re-open an edition again, up to that maximum number (if the stars are correctly aligned), but that’s not much of an assurance of future availability for you is it?
So that’s my rather lame sales pitch, if you want a limited edition print, book, ‘zine, greeting cards, post cards, or portfolio, order it now or risk missing out.
Thanks for supporting us small scale artists doing our best to earn a living while providing fresh perspectives on the big and little things in life!
So Covid-19 #9 has been included in a virtual exhibition, the Covid-19 Artwork Showcase, presented in conjunction with Fortune Live Media’s Health Brainstorm Virtual Event which opens tomorrow and runs for three days. I think it sounds pretty cool to be part of an exhibition of international artwork & artists put on by a major media force like Fortune Magazine’s live media branch.
In addition to this event, I’ve also been invited to contribute work to virtual exhibitions and archives including the Women’s Art Museum of Canada, the Immortal Artist’s Pandemic Archive Project, a residency project organized by artist Pamela Moon, Life As We Know It: 2 Meters Apart, and to various institutions actively soliciting archive material documenting the pandemic.
The question is, without the personal interaction of hanging the work in a physical space and interacting with viewers at an opening event, do these virtual exhibitions have the same impact for you as an artist or as a viewer? The reach they can have is far greater than a physical exhibition, and I have had people across the globe reach out to me, but is the impact of the encounter as potent when we cannot be physically present?
I will be curious to see what sort of long term response comes out of these virtual exhibitions.
So I feel like we have settled into a little routine or a new normal, as they are saying now, although we are all looking forward to (if not quite certain about) plans to ease restrictions and re-open businesses.
There was a lot of questions about herd immunity, and whether this can be relied upon to protect us as we start going out in public again. How many would need to be immune and how long does immunity last? My thoughts are that if you are in a high risk category you should probably play it safe for a while yet, while if you are healthy you can probably have a little more faith in the ability of the medical system to take care of you should your case be more severe. However even a young healthy person should still avoid contact with those in high risk categories to keep them safe.
Last weekend we had the opportunity to go out to Elbow Falls for a walk when the province re-opened the parking lots and staging areas at provincial parks. It was absolutely wonderful. We weren’t driving a convertible, but I think the feeling was the same.
In Sunflower Project news, Lorraine Appleby joined the project this week, and Sunflower Seed # 5 went out to her. Georgina K contacted me about her project inspired by the sunflower project. She has been leaving gifts of hand crafted fabric trees about for passers by, and left one for me on Friday too! Watch for those around your area if you are in Calgary!
It is almost a month and a half now since Covid-19 was declared a global Pandemic and our lives here in North America went topsy turvy. I think a lot of people are appreciating the warmer weather, but not sure how they are going to enjoy it this summer. All of our plans are under revision now.
Amidst a whole raft of summer event cancellations, it was announced this week that the Calgary Exhibition & Stampede is officially cancelled for 2020. I anticipated this, however I know that the organizers, competitors, exhibitors and vendors were all hoping that somehow it could go ahead. The event brings millions of visitors from all over the globe to Calgary, and generates multi-millions of dollars of revenue. There are visual artists in the Artist’s Studios section for whom substantial incomes are made from just this one 10 day event. I am not one of them; this would have been just my second year participating in the commissioned sales section. However I will miss the chance to connect with art lovers and build audience while making a few sales and engaging in the lively spirit Stampede brings to the city. If you are interested in buying one of the paintings I would have shown, contact me. They are 6″ x 8″ oil on canvas and priced at 295 CAD each.
I am amazed that, even though times are uncertain, so many people are supporting the studio. Because of this, I am making a few videos about my experience making art during Covid-19. The first one (below) was posted to my Youtube channel yesterday, and asks the question: can an art business grow even during Covid-19? I answer that question with my story (spoiler, the answer is yes).
I am still thinking about why this is possible; it makes no logical sense to me. I have always been told that art is a luxury, and the first thing to be sacrificed during times of insecurity. Perhaps art is not such a luxury after all? Perhaps it serves some vital purpose? My next week video will be about lessons I learned making art during Covid-19. If I have any insights to that question by then, I will share them in that video. If you are curious to see that video be sure to subscribe to my Youtube channel so you don’t miss it. I appreciate your subscriptions as, should one day I reach 1000 subscribers (I’m a long way from that yet), Youtube will actually send a little money my way when people view my videos. It is a great way to support my studio at no additional cost.
Okay, how about we all get some sun with a socially distanced walk or some yard work? I think I will be cleaning and setting up my patio after my work is done today. Thanks for reading, see you next week!
While the weather and the news had its ups and downs in the outside world, it was another busy week in the studio. As an artist who is perpetually in isolation, there is never a shortage of things to get done, even while others post about not knowing how to fill the hours suddenly vacated by their jobs.
However, it can be difficult to motivate myself to actually get things done as some projects seem to be futile when their fate is currently unknown due to all the uncertainties of the Covid-19 pandemic. Such is the case with my preparations for The Calgary Exhibition and Stampede Art Show.
Currently we have no news one way or the other on the fate of the Calgary Exhibition and Stampede this year, so I have been proceeding as planned completing work for the Mini-masterpieces Salon. I finished Saskatoon Berry Jam II, as Saskatoon Berry Jam was snapped up while still wet on the easel and is soon headed to England. I am thankful for that early sale, and given the current situation I wouldn’t hesitate to sell the others early too, although that means painting replacements (contact me to inquire about purchasing one of these delectable delights).
Above is the video of Saskatoon Berry Jam II coming together. This is actually painted over 2 sessions last week, as the painting reached a point where it needed a day between sessions to dry.
On the Covid-19 drawing front, CBC Calgary published another instalment of the Covid-19 Drawings to their Instagram feed. Thank-you to CBC for the continued support!
Now for the big news: Drumroll Please!
A Pre-sale for a selection of the Covid 19 drawings, and limited edition prints, opened on Sunday morning. The pre-sale will close May 11th and orders will be sent to the printer to be shipped the week of May 20th.
Currently 4 of the 13 originals available are SOLD. The print editions of these are still available, although the edition will be limited to 100 prints per image. To maintain the same feeling of the original drawings, the print editions are at the same scale as the original drawings on 9 x 12 paper. To make a purchase visit Covid-19 Chronicles page before May 11th 2020.
So that wraps up this week, visit the Pre-sale, purchase a print, and we will talk to you next week!
So it is another interesting week as we see the progress of the Covid-19 crisis on the global stage and I have continued to document it in my Covid 19 series of drawings
I uploaded the final instalment of Kathleen and Quinnton’s Wedding Painting to Youtube last week, so here together for the first time are all three videos so you can see the process from start to finish!
Each video represents one day of work on the painting. So why are the lengths so different? I’m recording the time-lapse video’s using my iPhone, so I need to press stop periodically to adjust the number of dropped frames per session. In the shorter ones I stopped recording less frequently. So it appears I am a super fast painter in them! Oh the magic of video.
I also found out this week that while I got turned down for the Western Art Gallery, my food paintings were accepted into the Mini-Masters Salon at the Western Art Gallery. So you will be seeing these (except Saskatoon Berry Jam) and a few more for sale at The Calgary Exhibition and Stampede Art Show in the Western Oasis, provided the Stampede goes ahead this year. Saskatoon Berry Jam has already been sold and is waiting to be shipped to its forever home in England.
We also had three more people join the Sunflower project this week, with 1, 2 & 3 of my 12 days of Christmas series going out to them. I am encouraged to see two of the new collectors are American, meaning we are building bridges across borders at a time when borders are otherwise becoming much more rigid.
This week I finished the initial 19 drawings in the Covid-19 sketchbook and set up a page, The Covid-19 Chronicles, on my website for them. 17 of the drawings are posted there now and I will be updating that as I go along with new drawings and news about the project.
I will be continuing the series but moving from daily drawings to a three day per week schedule as I work on the Sketchbook tour video and look for ways, and possibly partners, to reproduce them and get them into the hands of more people.
The Sketchbook tour video should go live on Friday, watch for that on my Youtube channel and for notifications of that on my social media channels.
In Covid-19 Sketchbook news, it has been also covered in this article in the Calgary Herald. Check it out!
Alright, that is it for this week, Stay safe and stay healthy out there!
This week has been intense and uncertain for a lot of people. We are all watching the news on a daily basis, and surfing social media for the interaction that we are prohibited from getting in person.
In the studio, in addition to the new Covid-19 drawings I am sharing with you in this post, I had a contract cancellation as their offices are shut down for Covid-19.
I finished Kathleen and Quinton’s wedding painting, and edited and uploaded the final video in the series, which will go live on Youtube this Friday (watch for it).
I am still planning on doing a sketchbook tour video this week which I should upload to Youtube for next Friday. This almost couldn’t happen as I dropped off the sketchbook to be scanned (more about that later) and picked up the next day. That evening all non-essential business were ordered closed and I thought the book would be unavailable until restrictions were lifted. However curb-side pick up was still available the next day, so I will still be able to make that video for you after all.
This does put me a bit behind on the schedule for the next Planning an Art Show video, however this crisis has changed many plans. Or delayed them in this case, so keep an eye out for it on my channel, it is still in the works. Make sure you are subscribed so you don’t miss it when it does come out.
Three more people joined the Sunflower Project, and will be receiving a painting of a sunflower seed from my halloween series in the mail (so long as the postal service is still delivering). A nice surprise for them, art direct to home, when we can’t go out to get our art-fix! On a serious note though, I believe that the hoarding we saw in grocery stores this past month has shown how relevant the mission of the Sunflower Project is in working to encourage a society where we all have confidence that we will have enough of what we need.
I was turned down for inclusion in this years Western Art Gallery at the Calgary Exhibition and Stampede. Oh well, you win some you lose some. However it is not certain that the Calgary Stampede will go ahead this year as planned amid the Covid-19 crisis. For the sake of all those it employs, and all those artists who were accepted this year, I hope it does.
Speaking of not going ahead, it was difficult to motivate myself to carry on applying for projects and shows, not knowing if the effort to write the applications were futile given the potential for the events to be cancelled anyway.
So more about why I got my sketchbook scanned: The response to the Covid-19 drawings has been overwhelming for me. I have had a number of requests for reproductions, so in this time of limited access to services I find myself looking into what I can do to get reproductions of the drawings into peoples hands, and how to share them with more people. I will keep you updated on what I am able to make available as I know more.
In the mean time, keep watching my channels on Facebook, Instagram, Twitter, Linked In and Youtube for the drawings as I upload them. CBC Calgary has shared them on their feed:
Take care of your selves (and your community) and we will talk to you again next week.
As I write this today it seems half of Calgary is shut down to limit the spread of COVID-19 and the shops may as well be for the amount of stock left on their shelves due to panic buying. My daughter’s university practicum is cancelled, putting her educational plan in limbo, and I am worried about the safety of my mother and her husband on her upcoming trip to Calgary from out of province. They are in the high risk category for complications if they were to get sick. So although I think my household could handle the illness, I will be following the suggestions for social distancing and hand-washing. I am doing that so my older family members don’t get sick, and so I don’t have to self-isolate and miss out on my mom’s visit, should she still choose to come out (I would totally understand if they decided to postpone it though, given the circumstances).
For me social distancing is not a huge problem as my children are not little anymore, I don’t regularly commute for work or work around others, and I had no big events lined up for March. I can play it by ear for the smaller gigs I do have coming up. However many of my peers in the arts are seeing their shows, performances and day-jobs go on hiatus while the world implements extraordinary measures to flatten the curve on COVID-19. Many are uncertain of how they are going to pay their bills, as they don’t fit into the standard employment categories. I am hopeful that recently announced government assistance to workers in the form of paid leave and EI benefit waiting period waivers will somehow be adapted to assist the creative workers who have seen their engagements cancelled as well.
They have poured all of their love and effort into their ventures, only to see something completely out of left field wipe those plans away. It is not something that an artist can plan for. Global pandemic is not usually a SWOT Analysis consideration for these ventures. All we can do is make our best laid plans for what is likely and hope that the odds will be in our favour when it comes to opening day.
As frustrating and futile as it may seem at the moment, now is the perfect time to have faith in the future and start making plans for that next big project. If you are at loose ends with all the cancellations going on, now is the time to make some art, and make a plan to show that art. I have already seen one 30 day challenge circulating specific to COVID-19 response, with discussion about having a charitable auction or show of the results. So go ahead, get in on that, make some art and plan that show for better times!
Here is a video I made to help you get started putting your art show plan together:
Subscribe to the channel so you don’t miss the series as episodes are released. Stay healthy, make some art, and get ready to get out there again when the time is right.
I am so close to releasing the video about planning a timeline for an art exhibition. Behind schedule but still on task, and planning to have that uploaded for this Friday, but in case there are further delays, SUBSCRIBE to my Youtube channel so you will not miss it when it finally does come out. In the meantime, I recorded a wee video diary over the week I began the research and script for the above mentioned video project:
You’ll see in the video the foreshadowing of future delays on that project. But I really was not thinking of this video as an explainer for my shocking lack of adherence to self-made deadlines. Rather when I recorded it I was thinking about providing a window into my workweek for all the people in my life who don’t have any idea what I do as a full time artist Monday to Friday since I am not producing reams and reams of art like a human printer, or clinking wine glasses at art openings every night.
This diary represents a limited window as my typical workweek does not usually end on Friday, and if I seem tired in the video clips, it is likely because I am; I recorded them at the end of my workday, usually between 10 and midnight. Although I do aim for balance, I don’t always achieve it.
Fellow artists with day jobs and/or young families (believe me I sympathize, I have been there) look wistful while saying “it must be nice to be able to make art all day,” and family simply cannot conceptualize that at middle age I am no longer able to handle being up to 2 am every morning and all weekend to finish writing proposals that I deferred so I could do things with them or for them “because I am just at home in the studio/office anyhow.”
If you are my family and you are reading this, know that I still love you and still love spending time with you, I just can’t be your ‘go to’ person with time during the day. We can visit in the evening or on the weekend, just like we would if I were in an office or shop somewhere Monday to Friday 9-5.
Aside from the assumption that studio time is free time, the idea that as an artist I spend all day making art is misleading as well: As a picture framer (my former day job) I spent all day making picture frames, so the idea that as an artist I would spend all day making art is logical. However I was hired to fulfill the service being sold while the business owner dealt with administration, vision, strategy, and bringing in customers. As an artist I am both the business owner and sole employee. I don’t hire someone to make the art while I concentrate on selling, promoting, marketing, administering etc. etc. etc. Potentially, I could produce a painting a day every day for all 260 working days of the year, if that were the entire scope of my job. However the majority of my week as a working artist is spent on activities that support the studio financially and lead to the opportunity to make artwork. So networking, marketing, developing projects and writing proposals, which may (or may not) result in the creation, exhibition, promotion or sale of artwork.
Hopefully this video gives part-time artists an idea of what to expect when transitioning to being full-time. You may not be making as much art as you think. In fact you may be making more art now, in the tiny pockets of time you currently have, as it is not split between art and administration. I also hope this video gives non artists, who have artist friends/family, an understanding of why you may not see them (me) more often.
Are you a full time working artist? What does your 9-5 look like, and what do you wish others knew about being a full time artist?
I just didn’t have a passion for the project anymore. The inspiration did not work out and I was not stubborn enough to invest more time in making it work. So wasteful to abandon high quality* canvases in this time of thoughtful consumption, so I repainted them with fresh inspiration.
Of course there are considerations for overpainting canvases: Is the original completely dry? If you’re considering immediately repainting a painting you will have to worry about the dry rates of the underlying layers, oil and solvent contents of those layers and how it will effect the new painting. Is the painting fresh enough that you could just scrape the whole thing back? If not I would strongly suggest waiting until the painting is completely dry so at least you know what you have to deal with. These canvases were about 6 or 7 months dry, with only the initial layers done. I was concerned that since those layers had quite a lot of solvent they might unevenly draw down the oils from the new painting to make sunken patches that didn’t match well, so I started by wiping down and oiling them out with a mixture of oil and an earth colour to simultaneously tone down the existing painting without completely eradicating it. Then I left them to dry another 3 or 4 months before working on them, once I was satisfied that the oil/earth mixture had an even finish.
Why didn’t I just use a solid colour base after oiling to make a clean slate? I can’t give you a good answer to that. Options? Challenge? I wanted to give myself the option of incorporating some of the initial painting into this one if it seemed like an interesting effect once I was into the painting. I liked the challenge of visualizing the new painting while dealing with the interference of the old one. You may want to use a more solid base colour after oiling out so you can visualize your image without interference. In the finished paintings you can barely see evidence of the originals anyway, so while it was challenging to work this way, pushing me to work with thicker more opaque layers, and therefore allowing for fewer new layers – if we are following Fat over Lean and all that – there was no end result aesthetic justification for doing it that way.
Speaking of thickness, these canvases were originally thinly painted as only the initial layers were completed prior to repainting, but you’ll also want to consider the texture of the existing painting. A highly textured surface means you’ll be seeing outlines beneath the new painting, I have not found sanding to be practical in eliminating anything more than the most minor bumps, drips or traces of stray brush hairs, so you will want to think creatively about how those textural elements can be incorporated in the new composition. A portrait may not be a good candidate for repainting as a landscape, as the shape of the head neck and shoulders may still be evident, but on the other hand, it could force some creative acknowledgement of that element into the landscape. I have had some good effects with textured surfaces, but the painting has to pretty much be designed for or respond to the surface in terms not only of composition, but materials used in the original painting; will new paint absorb or adhere unevenly to the old paint, how dry is the existing painting, and is the support stable (*generally speaking, don’t bother trying to rescue a cheap canvas, use it for a craft or experiment but nothing you are serious about)?
So how about you, what are your experiences and concerns with over-painting canvases?