So Covid-19 #9 has been included in a virtual exhibition, the Covid-19 Artwork Showcase, presented in conjunction with Fortune Live Media’s Health Brainstorm Virtual Event which opens tomorrow and runs for three days. I think it sounds pretty cool to be part of an exhibition of international artwork & artists put on by a major media force like Fortune Magazine’s live media branch.
In addition to this event, I’ve also been invited to contribute work to virtual exhibitions and archives including the Women’s Art Museum of Canada, the Immortal Artist’s Pandemic Archive Project, a residency project organized by artist Pamela Moon, Life As We Know It: 2 Meters Apart, and to various institutions actively soliciting archive material documenting the pandemic.
The question is, without the personal interaction of hanging the work in a physical space and interacting with viewers at an opening event, do these virtual exhibitions have the same impact for you as an artist or as a viewer? The reach they can have is far greater than a physical exhibition, and I have had people across the globe reach out to me, but is the impact of the encounter as potent when we cannot be physically present?
I will be curious to see what sort of long term response comes out of these virtual exhibitions.
It has been over a month since my last blog post and even while the world whirs on with Covid-19 and police brutality protests I have been playing studio catch-up and still don’t feel like I have had time to catch my breath.
So I am really happy that I finally got the second sketchbook tour together for you and uploaded this week. I think you will find some of the images a bit darker, maybe a bit resigned to the craziness that is the human response to a crisis of this nature. Others are clearly looking forward to sunny summer days ahead. Please enjoy!
Below you can see the final four drawings in the second series of Covid-19 drawings, which I completed on May 18th (a full 3 months after I did the first drawing). Covid 19 #35 looks at the rising importance of online shopping and delivery, #36 thinks about how Covid-19 will be integrated into our daily routines as we move forward to economic reopening. #37 is about the state of limbo one lives in while awaiting Covid-19 testing and results. Finally #38, perhaps the most dualistic of the series, explores social anxiety, how people have both fought against the measures taken to slow the disease and have risked spreading the disease in the effort to bring overdue social reforms.
In other news, I wanted to share with you a tasty turn that the project took! I was thrilled to find myself tagged in this video on Instagram from Scott Bradshaw and Seven Ravens Bakehouse. He re-created my drawing Covid-19 # 35 as a cake! I’m sharing the video here for you now, what do you think?
Also this month I was approached by Fortune Conferences (of Fortune Magazine) to showcase Covid-19 #9 during their upcoming Virtual Brainstorm Event on Covid-19, healthcare and business. I will have to share with you what happens with that.
In Sunflower Project news, I participated in the Rumble House Soul Auction, where owners Rich & Jess used their weekly (now online) live art auction to raise donations of time, actions and money for good causes (of the donor’s choice), with a special focus on the Black Lives Matter movement. Thanks to this collaboration we are welcoming two new members to the Sunflower Project, with their agreement to share their 1000 gifts with the world.
Finally, this week I am working on getting the next pre-sale up for Sunday June 28th on my website. I will be making available for purchase originals and select limited edition prints from the final 19 for Covid 19 series, as seen in the video. I will post the opening announcement when the Pre-sale is ready to open.
It is almost a month and a half now since Covid-19 was declared a global Pandemic and our lives here in North America went topsy turvy. I think a lot of people are appreciating the warmer weather, but not sure how they are going to enjoy it this summer. All of our plans are under revision now.
Amidst a whole raft of summer event cancellations, it was announced this week that the Calgary Exhibition & Stampede is officially cancelled for 2020. I anticipated this, however I know that the organizers, competitors, exhibitors and vendors were all hoping that somehow it could go ahead. The event brings millions of visitors from all over the globe to Calgary, and generates multi-millions of dollars of revenue. There are visual artists in the Artist’s Studios section for whom substantial incomes are made from just this one 10 day event. I am not one of them; this would have been just my second year participating in the commissioned sales section. However I will miss the chance to connect with art lovers and build audience while making a few sales and engaging in the lively spirit Stampede brings to the city. If you are interested in buying one of the paintings I would have shown, contact me. They are 6″ x 8″ oil on canvas and priced at 295 CAD each.
I am amazed that, even though times are uncertain, so many people are supporting the studio. Because of this, I am making a few videos about my experience making art during Covid-19. The first one (below) was posted to my Youtube channel yesterday, and asks the question: can an art business grow even during Covid-19? I answer that question with my story (spoiler, the answer is yes).
I am still thinking about why this is possible; it makes no logical sense to me. I have always been told that art is a luxury, and the first thing to be sacrificed during times of insecurity. Perhaps art is not such a luxury after all? Perhaps it serves some vital purpose? My next week video will be about lessons I learned making art during Covid-19. If I have any insights to that question by then, I will share them in that video. If you are curious to see that video be sure to subscribe to my Youtube channel so you don’t miss it. I appreciate your subscriptions as, should one day I reach 1000 subscribers (I’m a long way from that yet), Youtube will actually send a little money my way when people view my videos. It is a great way to support my studio at no additional cost.
Okay, how about we all get some sun with a socially distanced walk or some yard work? I think I will be cleaning and setting up my patio after my work is done today. Thanks for reading, see you next week!
While the weather and the news had its ups and downs in the outside world, it was another busy week in the studio. As an artist who is perpetually in isolation, there is never a shortage of things to get done, even while others post about not knowing how to fill the hours suddenly vacated by their jobs.
However, it can be difficult to motivate myself to actually get things done as some projects seem to be futile when their fate is currently unknown due to all the uncertainties of the Covid-19 pandemic. Such is the case with my preparations for The Calgary Exhibition and Stampede Art Show.
Currently we have no news one way or the other on the fate of the Calgary Exhibition and Stampede this year, so I have been proceeding as planned completing work for the Mini-masterpieces Salon. I finished Saskatoon Berry Jam II, as Saskatoon Berry Jam was snapped up while still wet on the easel and is soon headed to England. I am thankful for that early sale, and given the current situation I wouldn’t hesitate to sell the others early too, although that means painting replacements (contact me to inquire about purchasing one of these delectable delights).
Above is the video of Saskatoon Berry Jam II coming together. This is actually painted over 2 sessions last week, as the painting reached a point where it needed a day between sessions to dry.
On the Covid-19 drawing front, CBC Calgary published another instalment of the Covid-19 Drawings to their Instagram feed. Thank-you to CBC for the continued support!
Now for the big news: Drumroll Please!
A Pre-sale for a selection of the Covid 19 drawings, and limited edition prints, opened on Sunday morning. The pre-sale will close May 11th and orders will be sent to the printer to be shipped the week of May 20th.
Currently 4 of the 13 originals available are SOLD. The print editions of these are still available, although the edition will be limited to 100 prints per image. To maintain the same feeling of the original drawings, the print editions are at the same scale as the original drawings on 9 x 12 paper. To make a purchase visit Covid-19 Chronicles page before May 11th 2020.
So that wraps up this week, visit the Pre-sale, purchase a print, and we will talk to you next week!
So it is another interesting week as we see the progress of the Covid-19 crisis on the global stage and I have continued to document it in my Covid 19 series of drawings
I uploaded the final instalment of Kathleen and Quinnton’s Wedding Painting to Youtube last week, so here together for the first time are all three videos so you can see the process from start to finish!
Each video represents one day of work on the painting. So why are the lengths so different? I’m recording the time-lapse video’s using my iPhone, so I need to press stop periodically to adjust the number of dropped frames per session. In the shorter ones I stopped recording less frequently. So it appears I am a super fast painter in them! Oh the magic of video.
I also found out this week that while I got turned down for the Western Art Gallery, my food paintings were accepted into the Mini-Masters Salon at the Western Art Gallery. So you will be seeing these (except Saskatoon Berry Jam) and a few more for sale at The Calgary Exhibition and Stampede Art Show in the Western Oasis, provided the Stampede goes ahead this year. Saskatoon Berry Jam has already been sold and is waiting to be shipped to its forever home in England.
We also had three more people join the Sunflower project this week, with 1, 2 & 3 of my 12 days of Christmas series going out to them. I am encouraged to see two of the new collectors are American, meaning we are building bridges across borders at a time when borders are otherwise becoming much more rigid.
This week I finished the initial 19 drawings in the Covid-19 sketchbook and set up a page, The Covid-19 Chronicles, on my website for them. 17 of the drawings are posted there now and I will be updating that as I go along with new drawings and news about the project.
I will be continuing the series but moving from daily drawings to a three day per week schedule as I work on the Sketchbook tour video and look for ways, and possibly partners, to reproduce them and get them into the hands of more people.
The Sketchbook tour video should go live on Friday, watch for that on my Youtube channel and for notifications of that on my social media channels.
In Covid-19 Sketchbook news, it has been also covered in this article in the Calgary Herald. Check it out!
Alright, that is it for this week, Stay safe and stay healthy out there!
This week has been intense and uncertain for a lot of people. We are all watching the news on a daily basis, and surfing social media for the interaction that we are prohibited from getting in person.
In the studio, in addition to the new Covid-19 drawings I am sharing with you in this post, I had a contract cancellation as their offices are shut down for Covid-19.
I finished Kathleen and Quinton’s wedding painting, and edited and uploaded the final video in the series, which will go live on Youtube this Friday (watch for it).
I am still planning on doing a sketchbook tour video this week which I should upload to Youtube for next Friday. This almost couldn’t happen as I dropped off the sketchbook to be scanned (more about that later) and picked up the next day. That evening all non-essential business were ordered closed and I thought the book would be unavailable until restrictions were lifted. However curb-side pick up was still available the next day, so I will still be able to make that video for you after all.
This does put me a bit behind on the schedule for the next Planning an Art Show video, however this crisis has changed many plans. Or delayed them in this case, so keep an eye out for it on my channel, it is still in the works. Make sure you are subscribed so you don’t miss it when it does come out.
Three more people joined the Sunflower Project, and will be receiving a painting of a sunflower seed from my halloween series in the mail (so long as the postal service is still delivering). A nice surprise for them, art direct to home, when we can’t go out to get our art-fix! On a serious note though, I believe that the hoarding we saw in grocery stores this past month has shown how relevant the mission of the Sunflower Project is in working to encourage a society where we all have confidence that we will have enough of what we need.
I was turned down for inclusion in this years Western Art Gallery at the Calgary Exhibition and Stampede. Oh well, you win some you lose some. However it is not certain that the Calgary Stampede will go ahead this year as planned amid the Covid-19 crisis. For the sake of all those it employs, and all those artists who were accepted this year, I hope it does.
Speaking of not going ahead, it was difficult to motivate myself to carry on applying for projects and shows, not knowing if the effort to write the applications were futile given the potential for the events to be cancelled anyway.
So more about why I got my sketchbook scanned: The response to the Covid-19 drawings has been overwhelming for me. I have had a number of requests for reproductions, so in this time of limited access to services I find myself looking into what I can do to get reproductions of the drawings into peoples hands, and how to share them with more people. I will keep you updated on what I am able to make available as I know more.
In the mean time, keep watching my channels on Facebook, Instagram, Twitter, Linked In and Youtube for the drawings as I upload them. CBC Calgary has shared them on their feed:
Take care of your selves (and your community) and we will talk to you again next week.
Its a bit early for a SAVE THE DATE announcement, given we are looking over a year down the road, so I am just putting it out there that the show we have been working on putting together for over a year now, Medium of Exchange: Process (a follow up to Medium of Exchange: Debt (2010)), has been invited by the Alberta Society of Artists to show in their gallery! Jesica Campbell, Penny Chase, Jessica Hauser, myself and Koren Scott, will be mounting the exhibition at HUB@302 in March/April of 2021. I will be documenting the development of this show here and on the One Life Fine Art Studio Channel in a series of videos and posts exploring how to mount a collaborative visual art exhibition like the Medium of Exchange shows. I expect the first video will be published later this month. If you are not already subscribed, you should follow the link to my channel and subscribe so you don’t miss that series.
My Youtube Channel is up and I have a favour to ask: I have polls on each of my first 3 video’s to ask what you would like to see in future videos? Please go to the channel, watch a video and answer the poll when it pops up. If you don’t have a youtube account that’s Ok, you can leave your comments here for me instead. Thanks a bunch for helping! Here is a “time lapse” from the Sunflower Project:
So January 17th I will be going live with my first public video uploads on the all new One Life Fine Art Studio Channel. Why do I say finally? Well I actually created the channel several years ago to share videos for another project. That project never went anywhere (after much work and investment) so I let the channel lapse while I focused on new projects. However I have wanted to create and share videos about my work and the work of being an artist for a while now. I just haven’t had time to plan, schedule, record, edit and upload videos on a regular basis; or so I thought. Turns out I already have a fair bit of footage recorded that I would like to get out there. After putting together a video with existing footage and a voice over recorded on my phone I saw that process is far less involved than the art videos I created during my undergrad days. So this is the year I jump in and get started. I want to start slow, with one or two videos a month, at least until I get my sea-legs under me and know I can maintain a schedule. The first videos on the channel will include an introduction to the channel, time lapse videos of painting, and a video from footage of my working life as an artist during a challenging year in my career. I will be posting a link to the channel when it goes live, so stay tuned for that special blog post on January 17th.