Reading: Extreme You – Part 2: Get Out Of Line

Working Artist
In my last post I shared my take a way from Sarah Robb O'Hagan's book on developing drive. You can read it here. My next take away is on stepping out of line. As part of my current 100 Rejections Project, I am sending out a lot of proposals, resumes and calls for submissions. If it were not for the aim of this project, to get over the paralyzing fear of rejection and do it as fast as possible by applying for everything I think I am capable of in the arts, I would not say that this is the best or most efficient method for me to find interesting new projects. Why? Because essentially what I am doing by responding to calls is standing in line, with everyone else…
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Reading: Part 1: Extreme You – Step Up. Stand Out. Kick Ass. Repeat.

Working Artist
Well 20 minutes of deleting spam and I can finally settle down to writing this blog post. Part 1 of a 4 part series inspired by Sarah Robb O'Hagan's lively contribution to the swift kick in the butt genre of self-help literature. Before I begin, I will let you know that this is not my main read of the summer, even if a four part series would suggest that. In my studies on the subject of money for my currency paintings I have read some great books including: The Undercover Economist Strikes Back - Tim Harford Money: The Unauthorized Biography - Felix Martin Financial Fir$t Aid for Canadian Investors - Mike Graham Money Rules - Gail Vaz-Oxlade Smart Women Love Money - Alice Finn Rich Dad series (4) -  Robert T. Kiyosaki I…
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Process: Tom & Laura’s Wedding Portrait Painting

Commissions
I thought it might be fun for you to see the stages of creating this modern fairytale portrait painting. I scheduled about a month, at two days per week, to work on this 16" x 32" acrylic painting on canvas. To learn more about commissioning a painting, click here. So without further ado: Stage 1: Drawing using graphite and then Pitt artist pen. Stage 2: Grisaille in Chromium Oxide Green. Stage 3: Colour wash. Quinacridone Red, Pthalo Green and Green Gold. Stage 4: Establish background buildings and sky. Stage 5: Working on everything but negative space objects. Stage 6 & 7: Work on the car. Stage 8: Paint the figures and adjust the background to create proper recession and focus. DONE! To see more of my portraits click here. To learn more…
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Reading: PANTONE The 20th Century in Color

Working Artist
I picked up this book at my local library on the advice of a friend, and it is just a fantastic read, a must have reference for anyone interested in creating art evoking certain historical periods, or anyone interested in predicting future trends in colour preferences. Essentially, Leatrice Eiseman and Keith Recker take the reader on a grand tour of 20th century western history exploring the influence of politics, social changes, science, art, design and fashion on colour preferences from decade to decade. From the utilitarian and action oriented colours of war time decades, the soft neutrals of recessions and upbeat pastels of post war returns to stability and optimism, PANTONE seeks to not just show the what and how of colour preference, but also the why, in as much…
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Fear of Rejection – Lessons from Jia Jiang

100 Rejections, What's the Big Idea?, Working Artist
I watched this (and highly recommend you do as well), [embed]http://www.ted.com/talks/jia_jiang_what_i_learned_from_100_days_of_rejection[/embed] shortly after the new year, but it took me half a year to act on it. I realized that I was hanging too much of my dreams of future happiness on each application, proposal and submission I was sending out in to the world, and then disproportionally thrown off course by very rejection letter I got. So much so that I was finding every reason not to respond to this call or that, knowing how much time I would spend crafting each and how floored I would be if it was turned down. Jiang's talk convinced me I should be taking a more light hearted approach to the process, and I decided to make it my mission to collect 100 rejections…
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Process: Paintings are grown, not executed.

Art Lessons, Commissions
I was posting some progress images of a wedding portrait I am currently working on to my Facebook page, One Life Fine Art (if you are on Facebook, make sure to like and follow me there), and it occurred to me suddenly that the person for whom I am making the painting could actually be terrified by what they were seeing! The first phase was the line drawing, the second, a grisaille in chromium oxide green, and the third was the layer where I work out my major colour story (in this case a series of full strength washes of pthalo green, green gold and Quinacridone red/violet mix). On top of that I will start to refine the forms and paint in details, balancing lights, darks and colour as I go…
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Reading: Art Visionaries by Mark Getlein & Annabel Howard

Working Artist
A good primer on some of the major artist's of our times, and their ideas and innovations. It is an easy read, with a democratic 3-4 pages dedicated to each artist, even ones with incredibly long and illustrious careers like Picasso. Each artist is covered with a portrait, a timeline, a page condensing key points about their biography, career and innovations, and 3 or 4 representative images of work. I would recommend this book to beginners interested in getting a crash course in art since the beginning of the modernist period. However, even as an artist familiar with the western canon and art since the beginning of the modern period, I found fresh insights on the work of familiar artists. One critique of this book would be that despite it's recent publication (2016) the…
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The Multiple Charms of Working in Batches

Working Artist
Work In Batches: I was painting alongside a friend, and she asked what she should do while waiting for the paint to dry on her current piece. I suggested she start a second piece while waiting for the first piece to dry. This is a strategy I frequently use in the studio to get as much productivity as I can out of that precious time. I dont just start one piece, I start a group of pieces, usually 3 to 6, at once, all using the same process. While I am waiting for one piece to dry, I can work on the next one. If it is acrylic I am working with that day (like the sunflower seed paintings), by the time I have brought the last one in the…
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Taking Sick Days

Working Artist
I'm not going to say I never take a sick day, but I thought I would share a picture of my 'office from this past Friday. No, I am not a workaholic either. I know a cold usually gets worse before it gets better, so I figured between naps I would try and get something done. There might be a day or two coming up where I don't have the energy for this either, and as an independent artist, if I don't get it done no one else will!
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Why commission a painting?

Commissions
I am not going to give you a lot of practical, solid investment oriented reasons as to why you should commission a work of art for yourself or your 'organization.' I could talk about the difference between having a professional trained in translating feelings and thoughts into an aesthetically pleasing visual expression, and an amateur snapping an off the cuff photo and having it 'blown up.' I could talk about honouring your subject with a one of a kind highly crafted and durable object. I could talk about investing in both the status and worth of yourself or your organization, and the subject, through having it recorded in the time honoured manner of the wealthy, the noble and the pious. But I am not. Instead, I am going to talk about magic: The real…
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