Author: DebbieleeMiszaniec

Canadian visual artist.

Process: Paintings are grown, not executed.

I was posting some progress images of a wedding portrait I am currently working on to my Facebook page, One Life Fine Art (if you are on Facebook, make sure to like and follow me there), and it occurred to me suddenly that the person for whom I am making the painting could actually be terrified by what they were seeing!

The first phase was the line drawing, the second, a grisaille in chromium oxide green, and the third was the layer where I work out my major colour story (in this case a series of full strength washes of pthalo green, green gold and Quinacridone red/violet mix).

On top of that I will start to refine the forms and paint in details, balancing lights, darks and colour as I go along. To me this seems natural, but to someone who has never seen a painting grow from sketch to finish, they might have assumed the process was something like paint by numbers or colouring books, where each clearly delineated area has its individual colour mixed and applied from left to right, in one go.

I suppose some artists work like that, but my paintings are more like a living thing, layers upon layers built up from the back to the front of the painting (or canvas to picture plane), with each layer growing from the layer beneath.

The major difference is in how preplanned the painting is. Am I merely executing something which already exists fully realized in my head, or am I working with the idea to create something unique to itself?

Working left to right, filling in areas in a planned and orderly fashion is certainly efficient, but doesn’t allow me to take advantage of coincidence or discovery. Knowing that I can’t possibly anticipate every eventuality in the painting, I would rather give myself the opportunity to stop earlier than planned or change things to capitalize on coincidences as they appear. I couldn’t see these coincidences and happy accidents if I were focussing on the orderly filling of areas of colour instead of an organic approach to the image.

So, should you be out there watching my paintings take shape and feel you are on a bit of a rollercoaster ride in terms of progress, never fear, we will arrive safely. You will just have to have a little faith in the process and trust your pilot. In the mean time, sit back and enjoy the ride!

Reading: Art Visionaries by Mark Getlein & Annabel Howard

A good primer on some of the major artist’s of our times, and their ideas and innovations.

It is an easy read, with a democratic 3-4 pages dedicated to each artist, even ones with incredibly long and illustrious careers like Picasso. Each artist is covered with a portrait, a timeline, a page condensing key points about their biography, career and innovations, and 3 or 4 representative images of work.

I would recommend this book to beginners interested in getting a crash course in art since the beginning of the modernist period. However, even as an artist familiar with the western canon and art since the beginning of the modern period, I found fresh insights on the work of familiar artists.

One critique of this book would be that despite it’s recent publication (2016) the youngest artists profiled are Damien Hirst and Olafur Eliasson. Could it be that titles for Art Visionary have yet to be settled for the artists of Generation X and beyond?

 

SPAM!

Okay, I know I have been away since March 13th, and if you have posted a legit comment on a post since then, I am genuinely sorry that it will not be read or posted, however 2800 pieces of spam are a little much to expect someone to sift through in order to find the one nugget of authentic human contact in my inbox. I skimmed the posts as I marked them spam, but for the most part they were neither specific nor relevant to this blog.

So, if you would like to have your post actually read and responded to, PLEASE make sure that it is specific and relevant, and is very obviously so. There are so many generic spam posts that are clearly copy and pastes, saying how wonderful this site or post is,  or asking general questions related to the technical side of blogging… well you see what I am saying, praise is only meaningful if its authentic right?

Anyhow, I am still here, still checking in, and I do hope that one day I will be skimming my inbox and actually see a legit post from one of you out there. So lets talk!

Sunflower Project Update: Paintings 13 – 18

Sunflower Seed #13
Acrylic, 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #14
Acrylic, 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #15
Acrylic, 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #16
Acrylic, 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #17
Acrylic, 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #18
Acrylic, 5 x 7
by Debbie.lee Miszaniec

These 6 sunflower seed paintings, exploring a purple/yellow palette and stripes, have been brought to you by Kamla Hari McGonigal, who donated the funds for the materials for these six paintings. The first four will be going out to Carol Borschneck, Estelle Bungay, Jazmin Tyson and Katia Goussous (in that order) later this week. Sunflower Seed Paintings #17 & #18 are still looking for a home. Go here to learn about the project and sign up to receive one free, or donate to ensure we keep this project going!

The Multiple Charms of Working in Batches

Work In Batches:

I was painting alongside a friend, and she asked what she should do while waiting for the paint to dry on her current piece. I suggested she start a second piece while waiting for the first piece to dry.

This is a strategy I frequently use in the studio to get as much productivity as I can out of that precious time. I dont just start one piece, I start a group of pieces, usually 3 to 6, at once, all using the same process. While I am waiting for one piece to dry, I can work on the next one.

If it is acrylic I am working with that day (like the sunflower seed paintings), by the time I have brought the last one in the group through to the point where it is unworkable and needs to dry, the first one is ready to go again.

If I am working with oil (such as the Western Series), with its longer dry times, it is even more important to work in multiples. I hardly want to wait three days or better between sessions! With that longer dry time, though, I tend to have more time to find solutions to problems I have come up against in a given piece. I can be working on possible solutions to the previous piece subconciously while physically working on the current piece.

If you are working this way on location, like my friend, don’t forget to bring a way to transport all those wet paintings back to the studio safely!

Having Patience

It seems as though I am always waiting for things to come to fruition. To hear back from that application, or for that idea to catch on.

Right now I am working on an addition to my sunflower project that has to do with patience and time. A week ago I planted a Sunflower Seed. I decided to document the growth of this seed through its lifespan. I am interested in what happens to the Sunflower Project during the course of the life of a single planted seed.

Right now, I am waiting to see a sign that the seed is even viable. Each of the daily photos has been just black soil. I have no idea if my effort is futile. I must be patient, and wait the requisite time before attempting to plant another seed.

Here I have a little advantage, as the seed packet has guidelines for germination. The benefit of learning from the experience of others.

However, when it comes to creative projects and the entrepreneurial spirit I have found that, quite often, while patience is advised, the advisors are silent on how long one is to be patient, and when having patience has crossed over into flogging a lost cause.

Fortunately, The Sunflower Project showed it’s viability early on, with the first request for a painting coming less than a week after I announced it on social media. The first donation to support the project came in about a month after the project was initiated. Whether the project can become self-supporting remains to be seen.

Like any good gardener, I must continue to nurture it and have patience.

 

The Sunflower Project: Why just the seed?

Sunflower Seed #3
5″ x 7″
A/C
by Debbie.lee Miszaniec

“Hey, what about adding paintings of sunflowers to your paintings of sunflower seeds? the sunflower is such a happy looking plant.”

This question arrived at my inbox last weekend. It is a very good question, so I thought I would address it here.

The sunflower IS a happy looking plant!

Metaphorically speaking, we all want more sunflowers in our lives. The sunflower seed is a reminder that we can’t have the flower without taking the time and the risk to nurture the seed into a flower.

When we do that, the flower, which only has one season to brighten our lives, will return to us a thousand more seeds, which if nourished will bring us a thousand more flowers, and so on and so on.

Perhaps I personally cannot nurture all those thousand seeds into flowers, and on and on, but if I give you a seed, then we can share that responsibility. Together we can grow a network of people who are bringing more sunflowers into the world, and together we can all benefit from those flowers.

The seed is the potential for future happiness. While the flower may last only one season, the seed will last years through adverse conditions until someone has the ability to nurture it into life. It is hope for the future, and it is the ability to hang in there today.

So the answer to why The Sunflower Project gifts paintings of Sunflower Seeds, rather than paintings of Sunflowers:

Because the seed is an enduring symbol for what I am seeking to accomplish with the project. It is not simply about giving away paintings for free, nor the pleasure of receiving a gift. It is about sharing a responsibility. By receiving the painting, you in some sense take on a responsibility to protect and nurture that future flower; to assist in making the future a bright and beautiful place for all of us with your own thousand gifts to give the world.

Sunflower Seed Project Update

Sunflower Seed #7
A/C 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #8
A/C 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #9
A/C 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #10
A/C 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #11
A/C 5 x 7
by Debbie.lee Miszaniec
Sunflower Seed #12
A/C 5 x 7
by Debbie.lee Miszaniec

The third set of Sunflower Seed paintings have been finished, and nearly all claimed. They are being sent out to June Hills, Sheryl Penner, Kamla McGonigal, Carmen Bellingham and Koren Scott. There is one left (#12) in this batch. You can learn more about the project and sign up to get on the waiting list for the next batch of Sunflower Seed paintings here.

***Update: #12 is now going out to Tracy Burton***

The New Homeland

The New Homeland
16 x 20 O/C
by Debbie.lee Miszaniec

The New Homeland is one of the latest paintings in my Western Series, which you can see here. The New Homeland is based on a Canadian immigration poster advertising settlement to the Canadian West (Manitoba and west). There is a very specific type of immigrant that seems to be advertised for in this promotion. Young, healthy, family and agriculture oriented, and of a very specific ethnic background. However, though this campaign from between the world wars was looking for a specific image of the Canadian immigrant to build a new homeland, there were a great variety of countries that contributed immigrants to the building and development of Canada. So I decided to set the poster against a background of some of the national flags (of the time) of the nations people left behind to start their lives over in Canada.

Sunflower Project Update

Sunflower Seed #4
5 x 7 A/C
by Debbie.lee Miszaniec
Sunflower Seed #5
5 x 7 A/C
by Debbie.lee Miszaniec
Sunflower Seed #6
5 x 7 A/C
by Debbie.lee Miszaniec

The second set of Sunflower Seed paintings have been finished and claimed. They are being sent out to Aleksandra Danicic, Kelly Small and Andrea vanV. You can learn more about the project and sign up to get on the waiting list for the next batch of Sunflower Seed paintings here.